Space For Audio

Why I Made an AI Music Video

The Unavoidable Case for AI Literacy in Art and Design Education

Jul 30 • 

Michael G Wagner

3

1

June 2025

Mastering the Immersive Future

How OBAM Promises to Solve Dolby Atmos Production’s Biggest Workflow Limitation

Jun 3 • 

Michael G Wagner

2

May 2025

Spatial Audio for Storytelling: The Untapped Potential in Podcasting

The Nomono Sound Capsule and the Future of Immersive Podcasts

May 16 • 

Michael G Wagner

3

April 2025

Hearing in a New Dimension

How Technology is Reshaping Audio Production for Those with Hearing Loss

Apr 26 • 

Michael G Wagner

2

Three Critical Considerations for Meaningful Dolby Atmos Mixes

Finding Balance Between Immersion and Restraint in Spatial Audio Production

Apr 6 • 

Michael G Wagner

3

March 2025

Bridging the Object-Bed Divide in Dolby Atmos

An Honest Review of the Waves Immersive Wrapper

Mar 21 • 

Michael G Wagner

3

Michael's Spatial Audio Starter Kit

The Five Tools I Install First

Mar 6 • 

Michael G Wagner

1

February 2025

Head Tracking Hack: AirPods Meet Studio Cans

Using AirPods Pro as Head Trackers for Studio Headphones

Feb 21 • 

Michael G Wagner

3

January 2025

The Rise of the Nulling Upmixer

How INU is Changing Immersive Audio Production

Jan 17 • 

Michael G Wagner

2

December 2024

Breaking into Immersive Audio

A Free Path to Dolby Atmos Music Production

Dec 20, 2024 • 

Michael G Wagner

The Cargo Cult Stemcell's Spectral Ducking

A New Approach to Immersive Audio Channel Control

Dec 13, 2024 • 

Michael G Wagner

Ginger Audio Ground Control Sphere V2

Rethinking Immersive Audio Monitoring on Mac

Dec 6, 2024 • 

Michael G Wagner

1